Written by Annie Kee, theatre education graduate student at Emerson College and author of the blog, [clever title] . I…
Written by SuEllen Hamkins, psychiatrist, mother, and co-author of The Mother-Daughter Project: How mothers and daughters can band together, beat…
I have been thinking a lot about wine. How can I sit at home, enjoying my wine (and all my…
By Hilary Martin, an artist educator who uses theatre to address bullying issues with girls. If you live in the…
Wear the shirt. Use the soap. Burn the candle. These are three rules I came up with for myself over…
Having lived in the Berkshires of Massachusetts for just over a year and having spent some of that time in…
Being part of the solution is why WAM Theatre wants to take action by using theatre to benefit women and…
The title of this post is a quote from a blog entry by Augusta Supple, playwright, director, producer, carpenter, performer,…
As I catch up on my 2009 magazine reading, I find a great article in November’s Chronogram, an arts, culture…
WAM Theatre strongly believes that educating women and girls worldwide can slowly but surely result in the removal of the…
Why not? Connect our passion for theatre with our passion for the rights of women and girls worldwide. Why not?…
(Photo Caption: Women from the Stockbridge-Munsee Community on a recent group walk for the MMIW (Missing and Murdered Indigenous Women)…
Kim Senklip Harvey, who wrote Kamloopa: An Indigenous Matriarch Story, is a proud member of the Syilx, and Tsilhqot’in Nations…
by Talya Kingston, WAM Associate Artistic Director When WAM’s Producing Artistic Director Kristen van Ginhoven gave our first Indigenous land…
WAM holds space for Elders, Mother-Artists and Public School Teachers post-pandemic by Talya Kingston, Associate Artistic Director As summer of…
Gail M. Burns has been part of WAM’s PR & Marketing Team since 2014. She has done remote work since…
